NOMINATION: Performance of the Year - Notated Composition
For the performance of a single Australian work, showcasing the performer(s)’ success in revealing the nature and intention of a composition with clear notated instructions for the performer. Works with significant improvisatory aspects should instead be submitted for Performance of the Year: Jazz / Improvised Music.
A work is defined as a single complete musical composition, or expression. This includes music with movements or sub-works (i.e. song cycles), installations, and real-time compositions (improvised music).
If you believe your performance to be nominated in the wrong category or the details of your nomination to be incorrect, please contact the AMC via email at awards@australianmusiccentre.com.au before proceeding with the nomination.
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Nominee
Andrew Nicholson, West Australian Symphony Orchestra, Asher Fisch
Nominee email
andrewrobertnicholson@googlemail.com
Title of the work
Concerto for Flute and Orchestra
Composer(s) of the work
Lachlan Skipworth
Performance Date
22/6/2024
Venue
Perth Concert Hall
Nominator Statement
I am honored to nominate flautist Andrew Nicholson, conductor Asher Fisch, and the West Australian Symphony Orchestra (WASO) for the APRA AMCOS Art Music Award in the category of "Best Performance of a Notated Composition." Their exceptional rendition of Lachlan Skipworth's Flute Concerto in June 2024 exemplifies artistic excellence and profound musical collaboration.
The world premiere of Skipworth's Flute Concerto was a highlight of the concert, showcasing the synergy between composer, soloist, and conductor. Skipworth, a Perth-based composer with a national reputation, crafted the concerto specifically for Andrew Nicholson, WASO's esteemed principal flautist. The performance was preceded by an insightful Q&A session featuring Skipworth and Fisch, where they discussed the concerto's emphasis on melody, rhythmic energy, and the influence of Skipworth's studies of the Japanese shakuhachi flute.
Nicholson's performance was nothing short of stellar. His mastery over the flute was evident as he navigated the concerto's demanding passages with finesse and expressiveness. The opening movement, marked by a mysterious and slightly fast tempo, allowed Nicholson to display a range of techniques, blending seamlessly with the orchestration that reflected the shakuhachi's timbre. The slow movement, beginning with a dreamy flute solo, showcased his ability to convey deep emotion, while the final movement served as a veritable showcase for Nicholsons virtuosity, leading to a rousing finale.
Conductor Asher Fisch's interpretation of the concerto was equally commendable. Known for his profound understanding of complex orchestral works, Fisch ensured that the orchestra provided a sensitive and well-balanced accompaniment, allowing the flute's voice to shine while maintaining the work's intricate textures. His collaboration with Nicholson and Skipworth resulted in a cohesive and compelling performance that resonated deeply with the audience.
This performance was a testament to the exceptional artistry of Andrew Nicholson and WASO, demonstrating their ability to bring new Australian music to life with extraordinary skill and sensitivity. Their collective achievement in presenting Skipworth's Flute Concerto makes them highly deserving recipients of the APRA AMCOS Art Music Award for "Best Performance of a Notated Composition."
Nominee
Andrew Nicholson, West Australian Symphony Orchestra, Asher Fisch
Nominee email
andrewrobertnicholson@googlemail.com
Title of the work
Concerto for Flute and Orchestra
Composer(s) of the work
Lachlan Skipworth
Performance Date
22/6/2024
Venue
Perth Concert Hall
The world premiere of Skipworth's Flute Concerto was a highlight of the concert, showcasing the synergy between composer, soloist, and conductor. Skipworth, a Perth-based composer with a national reputation, crafted the concerto specifically for Andrew Nicholson, WASO's esteemed principal flautist. The performance was preceded by an insightful Q&A session featuring Skipworth and Fisch, where they discussed the concerto's emphasis on melody, rhythmic energy, and the influence of Skipworth's studies of the Japanese shakuhachi flute.
Nicholson's performance was nothing short of stellar. His mastery over the flute was evident as he navigated the concerto's demanding passages with finesse and expressiveness. The opening movement, marked by a mysterious and slightly fast tempo, allowed Nicholson to display a range of techniques, blending seamlessly with the orchestration that reflected the shakuhachi's timbre. The slow movement, beginning with a dreamy flute solo, showcased his ability to convey deep emotion, while the final movement served as a veritable showcase for Nicholsons virtuosity, leading to a rousing finale.
Conductor Asher Fisch's interpretation of the concerto was equally commendable. Known for his profound understanding of complex orchestral works, Fisch ensured that the orchestra provided a sensitive and well-balanced accompaniment, allowing the flute's voice to shine while maintaining the work's intricate textures. His collaboration with Nicholson and Skipworth resulted in a cohesive and compelling performance that resonated deeply with the audience.
This performance was a testament to the exceptional artistry of Andrew Nicholson and WASO, demonstrating their ability to bring new Australian music to life with extraordinary skill and sensitivity. Their collective achievement in presenting Skipworth's Flute Concerto makes them highly deserving recipients of the APRA AMCOS Art Music Award for "Best Performance of a Notated Composition."