NOMINATION: Work of the Year - Chamber
Chamber music is defined as works for between 1 and 12 players, with or without vocal parts, and with or without electronics
A work is defined as a single complete musical composition, or expression. This includes music with movements or sub-works (i.e. song cycles), installations, and real-time compositions (improvised music).
If you believe your work to be nominated in the wrong category or the details of your nomination to be incorrect, please contact the AMC via email at awards@australianmusiccentre.com.au before proceeding with the nomination.
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Nominee
Eleanor Brimblecombe
Title of the work
Grey Fantail
Performer
Sydney Symphony Orchestra 2024 Fellows
Performance Date
12/7/2024
Venue
Sydney Conservatorium of Music
Nominator Statement
'Grey Fantail' is another of Eleanor's works that bring Australian Wildlife calls to the stage. With striking and virtuosic motifs from the call of a Grey Fantail (captured by Eleanor during fieldwork), the work expanded through minimalist techniques. Eleanor writes: "Grey Fantails followed me through my travels, like the fervent security guards of the forest, capturing my attention and forcing me to listen to their interrogations. Their stubborn yet whimsical character is the driving force for this composition."
The work is unique, creative, highly rhythmic, and ear-grabbing. It shows off both the virtuosity of the Sydney Symphony Orchestra Fellows, as well as the Grey Fantail, with respect and care to the musicians, both human and avian. This work, as well as Eleanor's fresh and engaging approach and care towards Australian calls in music, should be commended.
Nominee
Eleanor Brimblecombe
Title of the work
Grey Fantail
Performer
Sydney Symphony Orchestra 2024 Fellows
Performance Date
12/7/2024
Venue
Sydney Conservatorium of Music
The work is unique, creative, highly rhythmic, and ear-grabbing. It shows off both the virtuosity of the Sydney Symphony Orchestra Fellows, as well as the Grey Fantail, with respect and care to the musicians, both human and avian. This work, as well as Eleanor's fresh and engaging approach and care towards Australian calls in music, should be commended.