NOMINATION: Work of the Year - Large Ensemble
Large ensemble music is defined as works for more than 12 players, with or without vocal parts, and with or without electronics. This may include works for orchestra, concert band, wind band, string orchestra.
A work is defined as a single complete musical composition, or expression. This includes music with movements or sub-works (i.e. song cycles), installations, and real-time compositions (improvised music).
If you believe your work to be nominated in the wrong category or the details of your nomination to be incorrect, please contact the AMC via email at awards@australianmusiccentre.com.au before proceeding with the nomination.
Art Music Award guidelines →
Nominee
Graeme Koehne
Title of the work
Bittersweet Symphony
Performer
Adelaide Symphony Orchestra
Performance Date
28/10/2024
Venue
Adelaide Town Hall
Nominator Statement
Graeme Koehnes Bittersweet Symphony stands as a remarkable contribution to contemporary Australian orchestral music, reaffirming his reputation as one of the countrys most distinguished and expressive composers. Premiered by the Adelaide Symphony Orchestra in October 2024, this work encapsulates the depth of Koehnes compositional voiceat once lyrical, evocative, and deeply attuned to the emotional and structural possibilities of large ensemble writing.
True to its title, Bittersweet Symphony is a work of contrasts: lush, sweeping melodies give way to moments of striking intensity, while intricate harmonic interplay and orchestral color serve as the foundation for a richly textured and emotionally resonant journey. Koehnes gift for melody and orchestration is on full display, with every instrument given space to contribute to the works overarching narrativea quality that makes the piece as immersive as it is technically masterful.
A defining characteristic of Bittersweet Symphony is its ability to engage listeners on both an intellectual and visceral level. The work navigates between grandeur and intimacy, seamlessly shifting between moments of rhapsodic beauty and passages of driving momentum. Through its carefully woven motifs and dynamic structural pacing, the piece evokes a sense of nostalgia and forward motiona meditation on lifes fleeting yet profound emotional experiences.
Beyond its artistic merits, the premiere of Bittersweet Symphony represents an important milestone for Australian orchestral music. Koehnes ability to craft compositions that are both accessible and sophisticated has long contributed to the vitality of the Australian classical music landscape. This latest work continues that legacy, engaging audiences with a deeply humanistic approach to symphonic writing while pushing the boundaries of orchestral expression.
Nominee
Graeme Koehne
Title of the work
Bittersweet Symphony
Performer
Adelaide Symphony Orchestra
Performance Date
28/10/2024
Venue
Adelaide Town Hall
True to its title, Bittersweet Symphony is a work of contrasts: lush, sweeping melodies give way to moments of striking intensity, while intricate harmonic interplay and orchestral color serve as the foundation for a richly textured and emotionally resonant journey. Koehnes gift for melody and orchestration is on full display, with every instrument given space to contribute to the works overarching narrativea quality that makes the piece as immersive as it is technically masterful.
A defining characteristic of Bittersweet Symphony is its ability to engage listeners on both an intellectual and visceral level. The work navigates between grandeur and intimacy, seamlessly shifting between moments of rhapsodic beauty and passages of driving momentum. Through its carefully woven motifs and dynamic structural pacing, the piece evokes a sense of nostalgia and forward motiona meditation on lifes fleeting yet profound emotional experiences.
Beyond its artistic merits, the premiere of Bittersweet Symphony represents an important milestone for Australian orchestral music. Koehnes ability to craft compositions that are both accessible and sophisticated has long contributed to the vitality of the Australian classical music landscape. This latest work continues that legacy, engaging audiences with a deeply humanistic approach to symphonic writing while pushing the boundaries of orchestral expression.