Harry Sdraulig - Flashout

NOMINATION: Work of the Year - Large Ensemble

NOMINATION: Work of the Year - Large Ensemble

Large ensemble music is defined as works for more than 12 players, with or without vocal parts, and with or without electronics. This may include works for orchestra, concert band, wind band, string orchestra. A work is defined as a single complete musical composition, or expression. This includes music with movements or sub-works (i.e. song cycles), installations, and real-time compositions (improvised music).

If you believe your work to be nominated in the wrong category or the details of your nomination to be incorrect, please contact the AMC via email at awards@australianmusiccentre.com.au before proceeding with the nomination.

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Nominee

Harry Sdraulig

Title of the work

Flashout

Performer

Tasmanian Symphony Orchestra, conducted by Johannes Fritzsch

Performance Date

27/4/2024

Venue

Federation Concert Hall

Nominator Statement
Sdrauligs exquisite command of orchestral writing is very much on display in his latest orchestral offering, Flashout. A highly accomplished work, Flashout celebrates colour contrasts, rhythmic propulsion, and lyrical beauty, pitting opposing material against each other in a nuanced way. Sdrauligs writing demonstrates a deep understanding of the orchestra and functions especially well for the forces of the Tasmanian Symphony Orchestra an orchestra he has a long-standing relationship with. This is a work worthy of future performances by each of our state orchestras an attention-grabbing opener, filled with drama and nervous energy, with an introspective undercurrent.

The thoughtful orchestration provides a vehicle for contrast throughout, where explosive tuttis suddenly give way to solo lines, and pulsating quavers are overwritten by chromatic lyricism. The opposite is also true, where graduations of colour slowly morph into entirely new textures. This creates a structure that is simultaneously disruptive and in flow, as the work toggles back and forth between a series of contrasting, yet connected, soundworlds. Sdraulig writes in his program note that this effect mirrors the interruptions of everyday events, embracing the opposition between familiarity and disruption: A fire alarm. A creak in the floorboards. Some approaching footsteps. An unexpected gust of wind. This speaks to the immediacy of Sdrauligs work which is superbly balanced with a mature sense of structure and an ear for fresh orchestral colours.

Eligibility checklist

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