Speak Percussion - Kaylie Melville and Zela Papageorgiou - Another Weather System

NOMINATION: Work of the Year - Electroacoustic / Sound Art

NOMINATION: Work of the Year - Electroacoustic / Sound Art

The Electroacoustic / Sound Art category is for works which utilise and manipulate digital and/or analogue sound as the primary medium. The work may be interdisciplinary (incorporating more than one media). It may include, but is not limited to; sonic art, electronics, interactive work, generative music, environmental sound, installations, soundscapes, electroacoustic music, and intermedia works. A work is defined as a single complete musical composition, or expression. This includes music with movements or sub-works (i.e. song cycles), installations, and real-time compositions (improvised music).

If you believe your work to be nominated in the wrong category or the details of your nomination to be incorrect, please contact the AMC via email at awards@australianmusiccentre.com.au before proceeding with the nomination.

Art Music Award guidelines →

Nominee

Speak Percussion - Kaylie Melville and Zela Papageorgiou

Title of the work

Another Weather System

Performer

Speak Percussion

Performance Date

3/11/2024

Venue

Four Winds

Nominator Statement
Another Weather System was a 40 minute site responsive percussion concert by Zela Papageourgiou and Kaylie Melville amidst the beautiful natural environment of Four Winds. The partially improvised, partially scored, performance featured a combination of traditional acoustic instruments and live sounds amplified and augmented by speakers and standard audio effects used in unusual ways: delay, reverb, distortion, EQing.

Eligibility checklist

Support Materials

MIDI realisations will not be accepted
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          Indigenous Content
          Indigenous and Non-Indigenous nominees using Indigenous content (such as language, title, narratives, or themes) from outside of their own cultural groups must supply supporting documentation that they have consulted with the appropriate communities and have obtained their permissions to use their cultural content and intellectual property.
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